Showing posts with label French writer. Show all posts
Showing posts with label French writer. Show all posts

Thoughts on Andre Gide’s Strait is the Gate

Le Havre

Strait is the Gate is a story of love between a man and a woman. But it is a love beyond the love of a man and a woman. They sought “mental love,” which is akin to divine union: the love through union with God, the fellowship of the Father and Son and Holy Spirit. They sought a love without happiness, a love too elusive between two mortals, a love at once holy, pure and sublime, which our mortal passions would likely taint. In the end they must give up the love between a man and a woman, to reach for that holy and pure love without joy and passion. Andre Gide, through his personal struggle between puritanical virtues and personal happiness, created a thought-provoking story about love, which challenges the reader to assess the variations of love. 

Andre Gide

Journey to the End of the Night

In Journey to the End of the Night, Louis-Ferdinand Céline jabs at war, colonialism, the U.S., the medical profession and anything that comes along the way. His writing style, its coarse language and cynical humor, reflects his irreverence toward norms, and animates his contempt for society and pessimism toward the human condition. The book starts like Erich Maria Remarque’s All Quiet on the Western Front, hammering at the futility of war, where wide-eyed youths waste their lives fighting for the ambitions of bureaucrats and return with disillusion, wrecked health, chronic unemployment and alienation from society. When our antihero Ferdinand Bardamu goes to Africa, we feel like reading Joseph Conrad’s Heart of Darkness, which exposes cruelty and inhumanity in colonial outposts and multinational enterprises’ exploiting the natives for profit. Bardamu’s travel to the U.S. and struggle to stay alive remind us of Upton Sinclair’s The Jungle, where the business conglomerates exploit cheap laborers, squeezing every ounce of life from them, to maximize profit and shareholder value.  In our antihero’s return to France, we recall Knut Hamsun’s Hunger and any number of Honoré de Balzac’s works, with the masses struggling to eke out a living. In the novel, the characters lie, steal, and even kill to survive and live anyway they could. It’s rats fighting each other for scum.

Night in Paris

As the title indicates, our antihero, and his friends and acquaintances, journeys through the dark night of life, in the hope that the end would come soon and the darkness would end. Toward the end of the novel, his friend Robinson, after all his suffering and failure and disillusions, chooses death to end this night. This novel, based on Céline’s life, reveals his disgust for society, government, and humanity.



Albert Camus's The Stranger

Meursault, an alien not of France or Algeria but of the world, shot the Arab and after the man had fallen, pumped four more bullets into the body. The sun made him do it just as if El Nino toppled the financial markets and urge disgruntle employees to shoot their colleagues and managers. He showed the same nonchalance toward a possible promotion, his mother’s death, his making love with Marie the first time, his neighbor Salamano’s beating the dog, and his friend Raymond’s beating his wife as toward killing the Arab. During the trial, contrary the social convention he offered no convincing motive and refused to defend himself against he crime.

To prevent him from contaminating society, from spreading meaninglessness and detachment to others, the jury found him guilty of callousness and condemned him to death for being a stranger to his mother, his lover, his friends, moral codes, social norms, and cultural conventions.
Arzew, Algeria

For the generation after WWII, for the survivors after the stench of Hitler and Stalin and the taste of Aushwitz, Nanjing and Hiroshima, what could be more seductive than embracing absurdity and thrashing humanity?

Nineteenth century optimism had crashed into a stonewall; utopia had metamorphosed into the Holocaust; the unlimited possibilities of reason, science and humanity had created the machine guns, the gas chambers, and the atomic bombs. Stranger, welcome to the brave new world!

The Guillotine

Just as a starving child would ignore Zeno’s problem or Fermat’s Last Theorem, so a stranger would neglect the alien faces and tunes, desiring to smell his home soil, to shake his kinsmen’s hands and to hug his "ground of being." In an absurd world, moral, social and cultural contracts would appear frivolous and irrelevant, and those who had feasted upon absurdity may view the world with a different pair of colored glasses and appreciate the Meursault’s methodic actions and orderly world.

When you are among lunatics accusing you of being insane, can you maintain your sanity? What is absurdity but a relative evaluation based on preconceived and accepted norms. Who really is the stranger in the world, Meursault or Marie or the prosecutor or the magistrate or the chaplain?
In The Stranger, a must-read to understand one view of the human predicament, Camus depicted the post-modern mileau where the Holocaust had dethroned and demythologized reason and science and the mutual critique among various claims to truth and meaning¾religion, politics, science, etc¾would result in a pluralism of absurdities that would provide new insights to humanity.

A Very Easy Death

In A Very Easy Death, Simone De Beauvoir said, “She (her mother) had a very easy death; an upper class death.” But it wasn’t an easy death. In this frank account of her mother’s struggle with intestinal cancer, Beauvoir not only reveals the struggle to release our loved ones but also the lies that we sometime perpetrate to spare them of suffering. The process of dying was gruesome, even for her mother, who wanted to keep a stiff upper lip. Worse were the doctors whose only goal was to keep the patient alive, regardless of pain and suffering, both physical and emotional. “… even when I was holding Maman’s hand, I was not with her -- I was lying to her.” Her mother losing her dignity as a human being is one of the most disheartening parts of the account. For many, like Beauvoir’s mother, dying may be a far worse ordeal than death. A must read for anyone who wants to prepare for and face death.


Houellebecq's The Map and the Territory: The Decay of Humanity


After dabbling in biology in The Elementary Particles and business development in Platform, Houellebecq turns to art in The Map and the Territory. Jed Martin was an artist who as a boy began drawing flowers in his small notebooks with color pencils.

Then, he turned to photographing manufactured objects such as such as handguns, diaries, and printer cartridges. But it was only when he began to photograph Michelin maps of France that he become rich and famous.


Houellebecq in tracing the rise of Jed Martin to wealth and fame also portrays his path toward the reclusive life. He lost his lover Olga. He lost his friend, the writer Michel Houellebecq. And he finally lost his father. In the end, he lived in a fenced estate and only drove to Carrefour to shop on Tuesdays.

Houellebecq delved into art not as a spiritual journey but as a vision of humanity in decline and decay. As in The Elementary Particles and The Possibility of an Island, he envisioned the disappearance of the human species and the emergence of a new breed in a new world. A prophet for the twenty-first century.

Michel Houellebecq (Photo by Mariusz Kubik)

Although the murder and dismemberment of the writer Houellebecq is gruesome, the most poignant scene is at the end of the book when Jed Martin dying filmed the photographs of Olga, Houellebecq, his father and other past acquaintances. He put them on a canvas in front of his home and recorded them as they faded, wrinkled and decomposed into pieces through rain and sun. As Houellebecq put it, “That feeling of desolation, too, that takes hold of us as the portraits of the human beings who had accompanied Jed martin through his earthly life fall apart under the impact of bad weather, then decompose and disappear, seeming in the last videos to make themselves the symbols of the generalized annihilation of the human species.” The final testimony of decay, not only of Jed’s life but also of humanity.