Showing posts with label tragedy. Show all posts
Showing posts with label tragedy. Show all posts

Yellow Roses for Samantha

Three women struggle with their lives after losing their children through a school shooting. Missy checks into a sanitarium, Jessica finds comfort in the arms of Missy's husband, and Linda takes a bottle of sleeping pills. "Yellow Roses for Samantha" is a tale of the search for hope and renewal amid tragedy.

Yellow Roses for Samantha

Thoughts on Andre Gide’s Strait is the Gate

Le Havre

Strait is the Gate is a story of love between a man and a woman. But it is a love beyond the love of a man and a woman. They sought “mental love,” which is akin to divine union: the love through union with God, the fellowship of the Father and Son and Holy Spirit. They sought a love without happiness, a love too elusive between two mortals, a love at once holy, pure and sublime, which our mortal passions would likely taint. In the end they must give up the love between a man and a woman, to reach for that holy and pure love without joy and passion. Andre Gide, through his personal struggle between puritanical virtues and personal happiness, created a thought-provoking story about love, which challenges the reader to assess the variations of love. 

Andre Gide

Book Review of Margaret Atwood's The Handmaid's Tale


Handmaids are the vehicles of reproduction in the Republic of Gilead, where radiation from sabotaged nuclear power plants had reduced the birthrate and mutated three in four fetuses. The Angles root out threats to the theocracy—nuns, scientists, scholars, etc—by hanging them on the wall of Harvard Yard and displaying the hooded figures to the public. The bastion of freethinking has turned into an exhibit of tyranny. Instead of using Newspeak as in Orwell’s 1984, the leaders here deny the people education. But the idea is the same: without the ability to think and analyze and critique, the masses would only react to threats and occasionally rewards. Pavlovian conditioning.

Margaret Atwood (Photo by Vanwaffle)

The Handmaid’s Tale is a dystopian novel in the tradition of Orwell’s 1984 and Huxley’s Brave New World. The means of control may be different, but the goal is the same. A subservient mass that would accept the social norm and cultural values, whether they be good or bad, without questioning their validity and without recognizing their assumptions and biases.

Margaret Atwood wrote the novel in the shadow of the religious fanaticism in Iran and Afghanistan, but she dedicated it to Mary Webster, an ancestor on her mother’s side who was tried for being a witch in Puritan Massachusetts, but survived the hanging. She understood that such a nightmare could happen anywhere in any century.

Anna Karenina Book Review

To seek happiness Anna left the proper and dull Karenin for the dashing and exciting Vronsky, but in the end, committed suicide to end her misery. Rather than a comment on morality, Tolstoy through Anna Karenina, as in War and Peace, sought to contrast those who like Anna ignored or opposed the ubiquitous force which direct the destiny of individuals and nations and those who like Levin flowed with it. Both Anna and Levin, unlike Stiva and Dolly, could not passively regurgitate accepted behavior to satisfy social conventions and accept a banal existence, but they paved their paths one to the north and the other to the south.

Red Square, Moscow

Passion directed Anna to oppose social conventions and with all a rebel’s defiance pursued in Vronsky’s arms the happiness that Karenin could not provide. They would love as if the whole world belonged to them. But in the end she could not live like Robinson Crusoe and was not strong enough to fend off social forces, which proclaimed reality’s omnipresence.

Levin sought to transform himself and love Kitty as social conventions could only imitate. He sought to transcend social conventions, which were not in sync with the force that directed destinies, to attune to a higher melody, one that resonates wit the natural order of things.

Leo Tolstoy

The diametrically opposing destinies of Anna and Levin revealed, as in War and Peace, Tolstoy’s search to harmonize with a natural force greater than reason, passion or will. For him, to raise the sword against that force would be to embrace the inferno.