In Tennessee Willians’s The Glass Menagerie, a domineering mother directs the destinies of the son and daughter, thereby stifling their individualities and aspirations. The theme isn’t fresh but Tennessee Williams, with masterful strokes of his pen, draws forth the drama that tucks the hearts of audience. We feel the tension, the frustration, the struggle, and ultimately the resignation. We sympathize with the children for having to sacrifice their dreams but we also pity the mother for trying to fill the role of the father and to revive a past that no longer exists. The play is humorous, satirical, and ultimately sad.
Leonard Seet is the author of the novels Magnolias in Paradise and Meditation on Space-Time. His articles and short fiction have appeared in Duende Literary Journal, Quarterly Literary Review Singapore, and Pilcrow & Dagger.
Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts
Tennessee Willians’s The Glass Menagerie
Labels:
depression,
disillusion,
drama,
family conflict,
play,
playwright,
Tennessee Williams
Leonard Seet is the author of the novels Magnolias in Paradise and Meditation On Space-Time. His short fiction have appeared in the Quarterly Literary Review Singapore, Banana Writers and Pilcrow & Dagger. Through his writings, he probes the dynamics of existence, including human consciousness, good and evil, and rationality and spirituality.
He received the B.S. in Physics and B.S. and M.S. in Electrical Engineering and Computer Science from the Massachusetts Institute of Technology, and an MBA from Georgetown University.
Shakespeare's Hamlet
In Shakespeare's Hamlet, though the prince struggles to answer the ghost’s call to avenge his father, once he has decided to kill Claudius, he doesn't hesitate to eliminate those against him.
Claudius sends a letter to the King of England through Rosencrantz and Gildenstern to eliminate the Hamlet. When Hamlet discovers the letter, he forges another one, calling on the King of England to kill instead the messengers, his boyhood colleagues. He could just have them jailed, but eliminating them would probably delay the news from reaching Cauldius, giving Hamlet enough time to crush his enemy. And he used the hands of the English king to eliminate his enemy’s lackeys. The Hamlet who forged the letter has evolved from the one questioning whether the ghost was lying to him and he changed from a bystander in royal politics to a key player. The Hamlet at the beginning of the play has disappeared and a more decisive and perhaps ruthless one takes his place. We can only speculate on what he would have done if he has survived. He may have ruled Denmark ruthlessly.
But he dies because he lacks a politician’s experience and doesn't anticipate Laertes plotting with Claudius. He should have understood Laertes’s feeling because he was also trying to avenge his father. But perhaps he believed Laertes was too upright to poison him. Yes, he, unlike Claudius who sets up a second offense with the poison wine, lacks a politician’s experience and instinct. And we wonder how Hamlet would have maneuvered Denmark against Fortinbras, and for that matter, England.
The Legend of Amleth
Claudius sends a letter to the King of England through Rosencrantz and Gildenstern to eliminate the Hamlet. When Hamlet discovers the letter, he forges another one, calling on the King of England to kill instead the messengers, his boyhood colleagues. He could just have them jailed, but eliminating them would probably delay the news from reaching Cauldius, giving Hamlet enough time to crush his enemy. And he used the hands of the English king to eliminate his enemy’s lackeys. The Hamlet who forged the letter has evolved from the one questioning whether the ghost was lying to him and he changed from a bystander in royal politics to a key player. The Hamlet at the beginning of the play has disappeared and a more decisive and perhaps ruthless one takes his place. We can only speculate on what he would have done if he has survived. He may have ruled Denmark ruthlessly.
The Grave Digger
But he dies because he lacks a politician’s experience and doesn't anticipate Laertes plotting with Claudius. He should have understood Laertes’s feeling because he was also trying to avenge his father. But perhaps he believed Laertes was too upright to poison him. Yes, he, unlike Claudius who sets up a second offense with the poison wine, lacks a politician’s experience and instinct. And we wonder how Hamlet would have maneuvered Denmark against Fortinbras, and for that matter, England.
Labels:
Denmark,
drama,
English literature,
Hamlet,
moral dilemma,
play,
playwright,
To Be or Not to Be,
William Shakespeare
Leonard Seet is the author of the novels Magnolias in Paradise and Meditation On Space-Time. His short fiction have appeared in the Quarterly Literary Review Singapore, Banana Writers and Pilcrow & Dagger. Through his writings, he probes the dynamics of existence, including human consciousness, good and evil, and rationality and spirituality.
He received the B.S. in Physics and B.S. and M.S. in Electrical Engineering and Computer Science from the Massachusetts Institute of Technology, and an MBA from Georgetown University.
Arthur Miller's Death of a Salesman : Analyzing the American Dream
In Death of a Salesman, Arthur Miller examines the American Dream through conflicts in the Loman family. Willy Loman epitomizes the disillusioned, having great dreams but suffering a dead end job and an ordinary life, and so transferring his dreams to his elder son Biff. Biff is the realist who accepts his limitations and despite trying to satisfy his father, only wants to be a farmhand. On the other hand, Happy the dreamer after his father, lusts for success and is willing to achieve it through less than ethical means.
In America, we are taught to believe in our greatness, to reach for the stars, but Miller examines the question: What if we don't have the abilities to be the next Steve Jobs or Bill Gates? Should we be Biff, accepting our limitations and being content with "ordinariness?" Or should we be Happy, reaching for he sky by hook or by crook? For some, Biff may be a disgrace to the America Dream, for others, the model. Still, for others, the only way to live is be Happy.
The issues that Miller looks at are as relevant today as it was in his time. Though some believe there are less opportunities today than four or five decades ago, the American Dream is alive and well. Both individual dreams and the collective Dream drive the U.S. forward, and when entrepreneurs prod through obstacles, companies like Google and Facebook result. Bit it is difficult to know when we have reached our breaking point, when we have dreamed the wrong dream. How may Willy Lomans are there for every Elon Musk?
But perhaps the problem with Willy is not that he dreamed, but that he became contented with his job and not plotted his path and worked toward his goal. And that he tries to transfer his dream/burden to Biff.
The power of Miller's play is that it raises some deep and timeless issues about American society: the social norm, the accepted values, the vision of success, etc. In this sense, Death of a Salesman is a classic.
Morosco Theatre
In America, we are taught to believe in our greatness, to reach for the stars, but Miller examines the question: What if we don't have the abilities to be the next Steve Jobs or Bill Gates? Should we be Biff, accepting our limitations and being content with "ordinariness?" Or should we be Happy, reaching for he sky by hook or by crook? For some, Biff may be a disgrace to the America Dream, for others, the model. Still, for others, the only way to live is be Happy.
The issues that Miller looks at are as relevant today as it was in his time. Though some believe there are less opportunities today than four or five decades ago, the American Dream is alive and well. Both individual dreams and the collective Dream drive the U.S. forward, and when entrepreneurs prod through obstacles, companies like Google and Facebook result. Bit it is difficult to know when we have reached our breaking point, when we have dreamed the wrong dream. How may Willy Lomans are there for every Elon Musk?
But perhaps the problem with Willy is not that he dreamed, but that he became contented with his job and not plotted his path and worked toward his goal. And that he tries to transfer his dream/burden to Biff.
The power of Miller's play is that it raises some deep and timeless issues about American society: the social norm, the accepted values, the vision of success, etc. In this sense, Death of a Salesman is a classic.
Labels:
American Dream,
American literature,
Arthur Miller,
Biff Loman,
drama,
play,
playwright,
success,
theater,
Willy Loman
Leonard Seet is the author of the novels Magnolias in Paradise and Meditation On Space-Time. His short fiction have appeared in the Quarterly Literary Review Singapore, Banana Writers and Pilcrow & Dagger. Through his writings, he probes the dynamics of existence, including human consciousness, good and evil, and rationality and spirituality.
He received the B.S. in Physics and B.S. and M.S. in Electrical Engineering and Computer Science from the Massachusetts Institute of Technology, and an MBA from Georgetown University.
Subscribe to:
Posts (Atom)





