Showing posts with label depression. Show all posts
Showing posts with label depression. Show all posts
Tennessee Willians’s The Glass Menagerie
In Tennessee Willians’s The Glass Menagerie, a domineering mother directs the destinies of the son and daughter, thereby stifling their individualities and aspirations. The theme isn’t fresh but Tennessee Williams, with masterful strokes of his pen, draws forth the drama that tucks the hearts of audience. We feel the tension, the frustration, the struggle, and ultimately the resignation. We sympathize with the children for having to sacrifice their dreams but we also pity the mother for trying to fill the role of the father and to revive a past that no longer exists. The play is humorous, satirical, and ultimately sad.
Leonard Seet is the author of the novels Magnolias in Paradise and Meditation On Space-Time. His short fiction have appeared in the Quarterly Literary Review Singapore, Banana Writers and Pilcrow & Dagger. Through his writings, he probes the dynamics of existence, including human consciousness, good and evil, and rationality and spirituality.
He received the B.S. in Physics and B.S. and M.S. in Electrical Engineering and Computer Science from the Massachusetts Institute of Technology, and an MBA from Georgetown University.
Review of Tim O’Brien’s The Things They Carried
Tim O’Brien’s experience equipped him to tell powerful, emotional stories about the soldiers who fought in the Vietnam War. This book is a tribute to them. O’Brien’s no-nonsense prose comes through like a lightning flash in the night sky.
“… I detest their blind, thoughtless, automatic acquiescence to it all, their simpleminded patriotism, their prideful ignorance, their love-it-or-leave-it platitudes, how they were sending me off to fight a war they didn’t understand and didn’t want to understand. … the polyestered Kiwanis boys, the merchants and farmers, the pious churchgoers, the chatty housewives, the PTA and the Lions club and the Veterans of Foreign Wars and the fine upstanding gentry out at the country club. They didn’t know Bao Dai from the man in the moon. They didn’t know history. They didn’t know the first thing about Diem’s tyranny, or the nature of Vietnamese nationalism, or the long colonialism of the French… but no matter, it was a war to stop the Communists, plain and simple, which was how they like things, you were a treacherous pussy if you had second thoughts about killing or dying for plain and simple reasons.”
Perhaps, only someone like O’Brien, who had fought in the war, could understand the struggles these soldiers must confront.
“All those eyes on me--the town, the whole universe--and I couldn’t risk the embarrassment. It was as if there were an audience to my life, that swirl of faces along the river, and in my head I could hear people screaming at me. Traitor! they yelled. Turncoat! Pussy! I felt myself blush. I couldn’t tolerate it. I couldn’t endure the mockery, or the disgrace, or the patriotic ridicule.”
What is courage, which is especially important for a soldier? Here, the narrator, in the story “On the Rainy River,” says, “I was a coward. I went to the war.” Could there be a sadder or more powerful statement on courage?
To read the stories in The Things They Carried is to enter the world of these soldiers. And O’Brien is a masterful storyteller.
“… I detest their blind, thoughtless, automatic acquiescence to it all, their simpleminded patriotism, their prideful ignorance, their love-it-or-leave-it platitudes, how they were sending me off to fight a war they didn’t understand and didn’t want to understand. … the polyestered Kiwanis boys, the merchants and farmers, the pious churchgoers, the chatty housewives, the PTA and the Lions club and the Veterans of Foreign Wars and the fine upstanding gentry out at the country club. They didn’t know Bao Dai from the man in the moon. They didn’t know history. They didn’t know the first thing about Diem’s tyranny, or the nature of Vietnamese nationalism, or the long colonialism of the French… but no matter, it was a war to stop the Communists, plain and simple, which was how they like things, you were a treacherous pussy if you had second thoughts about killing or dying for plain and simple reasons.”
Perhaps, only someone like O’Brien, who had fought in the war, could understand the struggles these soldiers must confront.
“All those eyes on me--the town, the whole universe--and I couldn’t risk the embarrassment. It was as if there were an audience to my life, that swirl of faces along the river, and in my head I could hear people screaming at me. Traitor! they yelled. Turncoat! Pussy! I felt myself blush. I couldn’t tolerate it. I couldn’t endure the mockery, or the disgrace, or the patriotic ridicule.”
What is courage, which is especially important for a soldier? Here, the narrator, in the story “On the Rainy River,” says, “I was a coward. I went to the war.” Could there be a sadder or more powerful statement on courage?
To read the stories in The Things They Carried is to enter the world of these soldiers. And O’Brien is a masterful storyteller.
Leonard Seet is the author of the novels Magnolias in Paradise and Meditation On Space-Time. His short fiction have appeared in the Quarterly Literary Review Singapore, Banana Writers and Pilcrow & Dagger. Through his writings, he probes the dynamics of existence, including human consciousness, good and evil, and rationality and spirituality.
He received the B.S. in Physics and B.S. and M.S. in Electrical Engineering and Computer Science from the Massachusetts Institute of Technology, and an MBA from Georgetown University.
On Death and Dying Review by Elisabeth Kübler-Ross
It has become cliché to say we live in a society that denies death. From her experiences with dying patients, Elisabeth Kübler-Ross sheds insight into how we face, or not face, death. She details the famous Five Stages --denial and isolation, anger, bargaining, depression, acceptance--through case studies of patients. The Kübler-Ross Model, for better or worse, have become the model from which academics and lay people understand the process of dying. But more than the model, the book forces us to gaze death in the eyes and confront our fears. Only then can we integrate death into life and realize that death is part of our life and indeed a vital part. If we deny it or even just neglect it, our lives become incomplete. We don’t have to obsess over death just as we don’t just focus on our health to the neglect of other parts of lives. When death becomes an integral part of our beings, our lives become more dynamic.
Great insight into the psychology toward our ultimate end. On Death and Dying is not only for those facing death and their close ones, but for everyone, to prepare our journey to the end, and thus to gain strength in living our lives and in caring for those around us.
Great insight into the psychology toward our ultimate end. On Death and Dying is not only for those facing death and their close ones, but for everyone, to prepare our journey to the end, and thus to gain strength in living our lives and in caring for those around us.
Leonard Seet is the author of the novels Magnolias in Paradise and Meditation On Space-Time. His short fiction have appeared in the Quarterly Literary Review Singapore, Banana Writers and Pilcrow & Dagger. Through his writings, he probes the dynamics of existence, including human consciousness, good and evil, and rationality and spirituality.
He received the B.S. in Physics and B.S. and M.S. in Electrical Engineering and Computer Science from the Massachusetts Institute of Technology, and an MBA from Georgetown University.
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