Showing posts with label apocalypse. Show all posts
Showing posts with label apocalypse. Show all posts

Frank Herbert's The White Plague, A Dystopian Novel

Molecular biologist John Roe O'Neill is on vacation in Ireland when a bomb explodes and kills his wife and two children. The trauma splits his personality and he splices genes into viruses and contaminates bacteria with them, creating a disease that targets women and speeds up their aging. When he releases the bacteria in Ireland, England and Libya, the plague begins to spread around the world and governments have to close their border and expel these countries' nationals. And Barrier Command under Canadian Admiral Francois Delacourt seeks to isolate the plague by patrolling borders and controlling travel among countries. As women begin to die off, the U.N. gathers a group of scientists from the U.S., France and U.S.S.R. to find a cure. In the meantime, O'Neill sneaks into Ireland as John O'Donnell only to be captured by the IRA-controlled government and tried for genocide. The politicians of the U.S., England and Ireland manipulate one another to come up with the cure while trying to gain an upper hand.

When the scientists, with the help of O'Neill's insights, find a cure, they are able to spread the knowledge without allowing any government to gain an upper hand. But with only one woman for every tens of thousands of men, women begin taking on more than one husband. And with greater knowledge about genetic engineering, scientists are able to assure female newborns. But that knowledge also allows potential terrorists to engineer a plethora of deadly diseases. Welcome to the brave new world as Frank Herbert imagined it.

Gene Splicing (Drawing by Agathman)

The White Plague is a thoughtful exploration of the abuse of genetic engineering and it consequences. We do not read it for its science but the details of gene splicing, science and pseudo-science, make the reading interesting and I prefer this to science fiction without the science. The plague and the resulting apocalypse reveal more the darkness of the human soul than the failings of science and Herbert's discourse on political machination among the U.N., the U.S., England and Ireland--combined with the IRA's bombing and O'Neill's vindictiveness--reaffirms this theme. And Kevin O'Donnell and Herity are the epitomes of that darkness.

South Kildare, Ireland

Herbert's constant shift from one character's point of view to another's distracts from the story. (At times, there are multiple shifts in POV within a page.) We have trouble sympathizing with any single character though we dwell mostly in O'Neill's mind and may be ambivalent about him, an innocent bystander turned into a mad scientist turned into a schizophrenic. Perhaps the shifting points of view reflect the disintegrating world of the white plague and we aren't meant to focus on any single character or sympathize with him or her.

Frank Herbert

Tanith Lee's All the Birds of Hell

In the fifteenth year of “Industrial Winter,” Henrique Tchaikov arrives as curator in a countryside dacha. In one of the towers, a pair of lovers has taken sleeping pills and committed suicide nine years ago and tourists would come to see their frozen remains. After the military removes the bodies, another couple commits suicide in the same bed and Henrique finds their bodies in the bed the next morning. Then he finishes his tour as curator and returns to the city to resume his life in the endless freezer.


All the Bird's of Hell is a dreamy and chilling tale of people defying fate and nature and seeking their dreams even through death. The haunting atmosphere of an everlasting winter and Henrique's quiet resignation contrasts with the couple's determination to define their own ends.

Tanith Lee

Philip K. Dick’s The Man in the High Castle

In a world where the Axis powers won W.W.II, Germany rules Europe and Japan Asia and the Pacific and they split the United States. Then, as in the Cold War, Germany and Japan rival for world domination. But the playground is the U.S. rather than Germany. The Man in the High Castle takes place in Japan-controlled San Francisco and the neutral Rocky Mountain States between the Pacific States of America and the East Coast of America. Germany plans to subdue Japan by creating an incident in the Rocky Mountain States, but a faction within the government sends a spy to warn Japan. In this world Germany’s final solution in Africa wipes out the continent and the country continues to persecute the Jews throughout the world, the remnants fleeing to the Rocky Mountain States and the Pacific States of America. The I Ching, the oracle that has replaced Christianity and the horoscope in the Pacific State of America, guides the masses in their decisions and through the ancient Chinese scripts answers their questions about life and death and the vagaries of living. This ancient scripture consumes the people’s imagination. In The Man in the High Castle, Philip K. Dick created a world where the power players have shifted roles but familiar brinkmanship and subterfuge remain.

The World in The Man in the High Castle

Within the novel is another book, The Grasshopper Lies Heavy by Hawthorne Abendsen, the man in the high castle. This novel within a novel delineates an alternative history to the one above. What if Germany and Japan lost W.W.II? Not a Cold War between the U.S. and U.S.S.R. Not the victory of the communists in China. Rather, The Nationalist defeats the Communists in China, establishes a right-wing regime and allies with the U.S. The British retains most of its empire and continues to expand its dominance. Indeed, a Cold War develops between the U.S. and the U.K. with the latter eventually dominating the former. What is interesting is that this alternative to an alternative isn’t our history. So even with Allies victory, many scenarios can play out.


Dick’s comment on the Nazis is thought provoking.

“They want to be the agents, not the victims, of history. They identify with God's power and believe they are godlike. That is their basic madness. They are overcome by some archetype; their egos have expanded psychotically so that they cannot tell where they begin and the godhead leaves off. It is not hubris, not pride; it is inflation of the ego to its ultimate — confusion between him who worships and that which is worshiped. Man has not eaten God; God has eaten man.”

The Man in the High Castle is not just science fiction, but a thought-provoking look into the nature of humanity. Of course, as with other works of Dick, the cultural nuances and biases of the 60’s rear their heads throughout the novel. Nevertheless, a novel worth reading.

A Clockwork Orange: A Vision of the Future


On a nochy, Your Humble Narrator Alex, a malchick not poogly of Bog or millicents and govoreeting in nadsat speak, peets chai in Korova Milkbar and then like goolys around the streets with his droogs to crast deng and cars. The banda removes platties including neezhnies from a ded and horrorshow shalagas his rot. They like drat another shaika’s nadsats and shives them with ozhs until horrorshow krovvy drip drip drip.

But when Alex tolchocks a baboochka with kots and koshkas and she snuffs it, he is loveted and sent to the Staja. To oodakeet jail earlier, he agrees to the Reclamation Treatment. And he viddys sinny of nadsats tolchocking deds and baboochkas and Nazis oobivating Yahoodys and all that cal until he would bolnoy at thinking of tolchocking another veck. He even wants to sick when he slooshys Ludwig Von’s Symphony No 9 and Wolfgang Amadeus’s Symphony No 41.


At one level, A Clockwork Orange is about the horror of teenage violence but at another, the dystopian novel is about the terror of a government trying to reengineer socially acceptable individuals. Anthony Burgess in the last chapter seems to imply that when teenagers grow up, the energy that drove them toward violence would propel them to construct society.  Whether the reader believes such a thesis, the novel would give food for thought.

The Possibility of an Island: Michel Houellebecq's The Brave New World


Book Review of The Possibility of an Island


The species have reached immortality. Through cloning and the propagation of historical memories. But the time of the humans is over. It is the age of the neo-humans, clones without joy and grief, without neurosis, without community, without sexual desires. Only a lifetime of reviewing and of analyzing the life of the human from which their DNA came. A lifetime of isolation, except for a pet. A lifetime of pseudo-touch through electronic communications. A lifetime of reflection and contemplation.

When the grief, the denial, the struggle to remain virile and attractive dominated the aging man or woman, the life of the neo-human seemed heavenly.  And no wonder the creator of these neo-humans chose to eliminate the neurosis associated with aging.

Neo-humans live without joy; and they die without grief. They don’t need food, only minerals and water. A superior race more suitable for survival. Living in a post-apocalyptic world. What does it mean when a few decided to leave their isolation, to end their immortality, to trek across the dried ocean surface, in search of a legendary community?

Would you choose to be human or neo-human?

The Possibility of an Island is a sad, sad depiction of the possibility, or impossibility, of humanity. Without youth and sexual virility, what is man or woman? When our mind and body decline, what do we make of life? Is a lifetime of tranquility more preferable to the fluctuations between joy and grief? What kind of Omega Point are we moving toward?

Kurt Vonnegut’s Cat’s Cradle

In Cat’s Cradle, Kurt Vonnegut through humor jabs at science, religion, and government. Bokonon, founder of the religion Bokononism, stated, “If I were younger, I would write a history of human stupidity…” A summary of Vonnegut’s theme in this novel.

Cat's Cradle

When the narrator John sets out to write a book about what important people were doing during the Hiroshima bombing, he begins a journey into human destruction. Through the children of Felix Hoenikker, a co-founder of the atomic bomb, he learns of the mad genius of this nuclear physicist. And stumbles upon the man’s invention, ice-nine, a substance when in contact with water changes it to ice. Like the atomic bomb Vonnegut was alluding, ice-nine can destroy the world. Indeed, it did, changing the seas and oceans into ice, killing anyone whose lips touches it. That potential for human destruction has only increased since Vonnegut wrote the novel. We no longer doubt that we can tilt the earth’s axis, contaminate our food and water, and change the earth’s climates.

The Possibilities of Ice-Nine

When John travels to San Lorenzo, a Caribbean island, he learns about Bokononism, a religion of absurdity and contradictory wisdom, invented by Bokonon, born Lionel Boyd Johnson, a friend of US Marine deserter Earl McCabe, who found the nation of San Lorenzo. Its nihilistic and anti-religious wisdom gives the natives the illusion of hope that they needed so much to endure their poverty, illiteracy and suffering. Absurdity: the government has banned the religion but the dictator practices it. Absurdity: the nation’s official religion is Christianity, but everyone practices Bokononism. Absurdity: Bokonon, the founder of the religion, advised the ruler to ban the religion to instill the people’s fervor for the belief. Indeed, Bokononism succeeds in what institutionalized religions should do: give people hope what reality is too difficult to bear.

San Lorenzo

San Lorenzo is not much different from other banana republic. Colonialists came upon the natives and took over the land. They set up a government and imposed their religion, language, and values. They left or died off, leaving room for a dictator to seize power and oppress the people. The dictator allies himself with a superpower and can do whatever he wants within his country. But of interest here: the dictator “Papa” Monzano’s ice-nine frozen body drops into the ocean to destroy San Lorenzo and the rest of the world. A symbol that even after he had died, he still could wreck havoc.


Cat’s Cradle is Kurt Vonnegut’s dystopian novel. His humor only adds to the novel’s poignancy. The theme is as relevant today as when it was written decades. In trying to advance civilization through science, religion and government, we may instead destroy it. A vision worth considering.