Showing posts with label mystery. Show all posts
Showing posts with label mystery. Show all posts

Keigo Higashino’s The Devotion of Suspect X



When Yasuko Hanaoka’s ex-husband shows up to exhort money, she and her daughter kill him. Her neighbor Tetsuya Ishigami, a high school math teacher, volunteers to help dispose of the body and divert the police’s attention. What results is a scheme to deceive the police into solving the wrong crime.

A dead body whose face is smashed to hide the identity shows up near the river and Detective Kusanagi must identify the murder and find the perpetrator. On reaching a dead end, he solicits his friend and schoolmate, physics professor Dr. Manabu Yukawa, to sift through the clues and red herrings. Thus, pinning the two masterminds against each other.

In The Devotion of Suspect X, Ishigami and Yukawa try to outwit each other in this cops and robbers game. What Yukawa couldn’t fathom is the depth in which Ishigami is willing to devote himself to and ultimately sacrifice for Yasuko. This mystery is among the handful of mystery novels whose plots surprise me. And though I wish the key characters have more depth, the plot more than compensates for that flaw and the sparse prose pushes the plot along without extraneous verbiage. Smart and powerful. I almost wish Ishigami could triumph over Yukawa.

Miyuki Miyabe’s All She’s Worth

While Police Detective Shunsuke Honma is on leave after he injured his leg, a distant relative of his late wife appears and asks for help. His fiancée Shoko Sekine has disappeared after a bank rejected her application for a credit card, revealing her past bankruptcy.

Tokyo

Honma’s investigation reveals the woman’s descent into debt, a common problem in Japan’s consumer driven economy. But soon he finds out the fiancée might have murdered the real Shoko Sekine and taken over the woman’s identity. When he digs out the imposter’s background, he realizes that her family’s financial problems had driven her to assume the new identity.


Though the pace is slow and parts of the novel can be taken out without much loss, the search for the identities and backgrounds of the two women is interesting. But what really holds the story together is the problem associated with debt-driven consumer-oriented economy, the common link between the two women, the real and the fake Shoko Sekine. The desire to escape from debt, driving their lives to the sad ending. The issue is as relevant today as it was in the 1990’s.

Magnolias in Paradise

 Leonard Seet brings his intelligence and wit and gifts as a writer to a broader audience in "Magnolias in Paradise" in a gritty, realistic novel... narrative style... reminiscent of the narrative technique of "As I Lay Dying" and "Charming Billy." Mainstream audiences will appreciate the intelligence of the narrative of this book in this genre, which is so often short-changed by lesser lights just out to make a buck. Seet has reinvented himself as a writer in his evolution from his deeply rich, engaging and inspirational books about spirituality to the rough ride on the mean streets of "Magnolias in Paradise." ...you'll definitely be engaged by this novel.
                  -David Lentz, author Bloomsday: the Bostoniad

"This book is immensely readable and is packed with fast paced actions and cliff hanging chapter endings."
-Ashok Shenolikar, Author of What Did You Say Your Name Was?

In Paradise, No One is Innocent


Ernst arrives at the Paradise train station with fifty-thousand dollars to ransom his sweetheart, and while looking among the crowd for the young man with a magnolia, a beggar seizes his bag of cash and escapes through the revolving door. Chasing after the rascal, he slams into his contact--his girlfriend's lover in town. Now, he must beat his love-rival to the money and rescue her before the deadline.



Magnolias in Paradise, which writer David Lentz compared to William Faulkner’s As I Lay Dying, is a crime novel and the first in a potential series. As in Larry Brown’s Father and Son, good confronts evil in a southern town. And as in Joe R. Lansdale’s Cold in July, an ordinary man gets sucked into a conspiracy, with psychopaths terrorizing a small town and FBI agents going after a corrupt sheriff. In the end, the man must take the law into his hands. But in this case, ending in tragedy. Here, he combined Will Christopher Baer’s surreal settings and mentally unstable villains, with Brian Evenson’s literary minimalism and heroes cursing their knowledge.

Release of Leonard Seet’s novel Magnolias in Paradise


Excelsior Publishing will be releasing Leonard Seet’s latest novel Magnolias in Paradise in Fall 2016.

Ernst arrives at the Paradise train station with fifty-thousand dollars to ransom his sweetheart, and while looking among the crowd for the young man with a magnolia, a beggar seizes his bag of cash and escapes through the revolving door. Chasing after the rascal, he slams into his contact--his girlfriend's lover in town. Now, he must beat his love-rival to the money and rescue her before the deadline.

Magnolias in Paradise (252 pp., tpb, $14.95) is a 96,000-word crime novel and the first in a potential series. As in Larry Brown’s Father and Son, good confronts evil in a southern town. And as in Joe R. Lansdale’s Cold in July, an ordinary man gets sucked into a conspiracy, with psychopaths terrorizing a small town and FBI agents going after a corrupt sheriff. In the end, the man must take the law into his hands. But in this case, ending in tragedy. Here, I combined Will Christopher Baer’s surreal settings and mentally unstable villains, with Brian Evenson’s literary minimalism and heroes cursing their knowledge.

Leonard Seet brings his intelligence and wit and gifts as a writer to a broader audience in Magnolias in Paradise in a gritty, realistic novel. He uses a narrative style which brings you the perspective of the players in this grim game of hide-and-seek reminiscent of the narrative technique of As I Lay Dying and Charming Billy… Mainstream audiences will appreciate the intelligence of the narrative of this book in this genre, which is so often short-changed by lesser lights just out to make a buck. Seet has reinvented himself as a writer in his evolution from his deeply rich, engaging and inspirational books about spirituality to the rough ride on the mean streets of Magnolias in Paradise. If you are into this genre, then you’ll definitely be engaged by this novel.” -David Lentz, author, Bloomsday: the Bostoniad

Leonard Seet is the author of the novel Meditation On Space-Time and the non-fiction The Spiritual Life. His articles and short fiction have appeared in the Quarterly Literary Review Singapore, Banana Writers and Pilcrow & Dagger. He learned the art of writing from Brando Skyhorse and Tim Johnston through George Washington University's Jennie McKean Moore Fiction Workshop, which is by application.

Magnolias in Paradise is available in most brick-and-mortar and online bookstores.

Dennis Lehane's Shutter Island

Teddy Daniels goes to Shutter Island to locate Rachel Solando, a psychiatric patient in Ashecliffe Hospital who has disappeared from a guarded cell. No one knows how she escaped and no one knows where she could be. Teddy suspects the staff conspired to make her disappear but they wouldn’t let him review the patient list. When he keeps finding cryptic codes, he suspects the hospital is experimenting on the psychotic criminals by operating on their brains. But nothing is what it seems. Soon, he cannot distinguish between reality and illusion. The doctors there begin to imply that he may be insane.


Shutter Island is a page-turner of a novel. Nothing is what it seems and the boundary between reality and illusion blurs. Did Rachel Solando really escaped? Who is leaving the code for Teddy? Is the hospital operating on the patients to eliminate their violence? Is Teddy going insane? The truth is a surprising twist and the reader will enjoy the ride.

The Blue Religion: New Stories about Cops, Criminals, and the Chase Edited by Michael Connelly


The collection of police crime fiction includes Law & Order type police procedural such as Persia Walker’s “Such a Lucky, Pretty Girl” to capers such as Bev Vincent’s “Rule Number One.” But all the stories are about cops and criminals and the onus and responsibility of the badge. And there is even a provocative story by Diana Hansen-Young, “Oaths, Ohana, and Everything,” about the handing-over of Hawaii to the United States. A great collection for crime fiction fans.

James Ellroy's L. A. Confidential

No redemption in James Ellroy’s L.A. Confidential

More corrupted cops, conniving DAs, ruthless gangsters, psychopathic killers. Less truth and even less justice in the City of the Angels. Welcome to the world of James Ellroy. More setups, more cover-ups, more fall guys, more hush-hushes. Likeable characters? Not in this novel. Heroes and good guys? Sure, plenty in the news (besides here at Hush-Hush). Just don’t look in the closet or underneath the carpet. Redemption? Only if you’ve been living under a rock. This is La La Land, Hollywood Land, Dream-a-Dreamland.
The main event: Night Owl Shooting, 1824 Cherokee, 6 dead in food locker, gore, mutilations, blood two-feet deep. Spotted: purple ‘48-’50 Merc Coupe outside the shop. Make: three black young men discharging shotguns into the air in Griffith Park. Fall guys for a cover-up.

L.A. City Hall

Lieutenant Detective Ed Exley--ambitious, straight shooter, son of real estate magnate and former police detective--intends to solve the case, his meal ticket up the ladder to captain, then inspector. Eclipse his dead brother: competing with the dead, a sure loss, to seek his father’s approval, the great man who solved the famous Atherson case (hush-hush on the cover up). Never mind Ed faked his heroism during W.W.II to get a medal. Very hush-hush.

Officer Wendell (Bud) White--speaks with his fists, speaks with fists again before speaking with his mouth, watched his father beat his mother to death while chained to a bed, then watched her rot--intends to solve a string of prostitute killings: his obsession, his search for redemption. If only his brain could react before his fists do. Not in this novel, not in Ellroy’s world.

Sergeant Jack Vincennes aka Trashcan Jack--celebrity cop, self-interested, killed an innocent couple while on dope, but hush-hush--investigates the making and distribution of pornography. Sets up the D.A. for a scandal during a campaign so his friend wins the election, in exchange for favors. Feeds dirt to Hush-Hush for sin-sational news (thanks, Jack).

Disneyland

Likeable they aren’t, but colorful and struggling for their souls. And losing. In the end, they go to hell, literally or figuratively. You may want them redeemed, but remember, this is the world of James Ellroy.
All the slurs against blacks, Mexicans and gays, all the blood and gore for realism, they could be too much. Sure, James Ellroy was building a canvass: pornography, prostitution, heroine trafficking, police extortion, political corruption--a dark portrait of the City of Angels in the 50’s. But the excesses can be a turnoff.

What keeps the readers turning the pages? The plot, the plot, the plot. Multiple cases converge, involving the cast of criminals--cops, gangsters, production cast, psychopaths. Main plot and subplots interweave to form a tapestry of crime and sin and corruption and conspiracy. One of the most satisfying plots in a mystery/crime novel, complex enough to keep the reader from dosing.

James Ellroy (Photo: Mark Coggins)

Just too bad about not having a shootout between Ed Exley and Bud White. The quick and the dead. Would’ve been the pivotal scene.

Still, all the details that’s fit to print, in a fast-paced writing style, minimalism to the Nth order. Yes, style, style, style, either you love it or you hate it. Or you love it but hate it. But it fits well with the plot and theme.
And lad, even after Trashcan Jack kicks the bucket and Bud White becomes a cripple, your beloved Captain Dudley Smith is alive and well though he couldn’t become inspector. Containment. Contained. Wink, wink.

Remember, dear reader: you heard it here first, off-the-record, on the Q.T., and very Hush Hush.

James Ellroy's The Big Nowhere

Deputy Danny Upshaw investigates a brutal sex crime and hunts the gay middle-aged killer, not knowing that from the beginning he’s been led to implicate the wrong man. So he could lead the investigation, he agrees to infiltrate a labor union, search out communists and uncover their “un-American activities.” But all he cares about is to find out why a killer was mutilating other gay men.

Zoot Suits

Lieutenant Mal Considine, on the other hand, agrees to work with power-hungry prosecutors, corrupted cops and gangster union bosses and hunt communists only to get promoted and win custody of his adopted son. To work with mob boss Mickey Cohen, Considine enlists “Buzz” Meeks, a less than ethical cop, who only wants the money to retire with his mistress in a place far, far away. Together these men would dig out as much dirt from the communists as possible and help Cohen’s Teamsters replace the rival union in the studios.

LA City Hall

Corrupted cops, manipulative prosecutors, greedy union bosses, bloodthirsty cutthroats, delusional psychopaths, they populate The Big Nowhere, James Ellroy’s novel of greed, power and lust. Besides these colorful characters, the intrigue plot of manipulation and one-upmanship also powers the novel and leads the reader on a journey through the “dark night of the soul.” When we realize the witness was giving Upshaw clues to lead him down the wrong path… When we realize the horrible crimes committed… When we realize Meeks would never get away with stealing Cohen’s mistress… When we realize they’re all going to hell… Ellroy’s noir is not only a delicious crime novel, but also a poignant social commentary. Writing in the language of 1950, Ellroy portrays men and women racing toward hell and a society on the verge of exploding. We can only wonder how much filth a writer is able to expose. Powerful, gritty, and unforgettable. Prepare your stomach for it.

James Ellroy (Photo: Mark Coggins)

Carlos Ruiz Zafón's Mystery Romance: The Shadow of the Wind

On a summer day in 1945, Daniel Sempere’s father took him to the Cemetery of Forgotten Books. He chose a book called The Shadow of the Wind, which turned out to be the last copy. One night, when a faceless strange asked to buy that copy and he refused, he found out that it was the last copy of the book. And someone had been burning all the books by the same author, Julian Carax. As Daniel probed into the life of the author, he began to uncover secrets that should be kept in the dust of time. He discovered a conspiracy to bury the events of the past. He discovered the love affair between Carax and the beautiful Penelope. And he began to step deeper into danger as the evil Inspector Fumero sought to settle an old score…

The Shadow of the Wind is a historical mystery that takes us into post Civil War Barcelona, where the residents tried to return to a normal life. The intertwining events around Julian Carax draw us into love and lost and regret. Although there is a parallel between the Julian-Penelope and Daniel-Bea love affairs, the former outshone the latter as the sun that of a sparkle. And Fermín is as lovable as Fumero is detestable. A mystery as enjoyable as Umberto Eco’s The Name of the Rose.